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Bloginity recently met young photographer Neringa Rekasiute, who explores art out of her studio in the cosmopolitan metropolis of London. She gives us some insight about her likes and preferences, including why she prefers film over to digital, who her favorite subjects to photograph are, as well as touching on the roots of her motivation. Neringa is a true generator of ideas. Find out more about her below. Read more: http://www.bloginity.com/2012/06/photographer-neringa-rekasiute-photo-shoots-challenging/

Bloginity recently met young photographer Neringa Rekasiute, who explores art out of her studio in the cosmopolitan metropolis of London. She gives us some insight about her likes and preferences, including why she prefers film over to digital, who her favorite subjects to photograph are, as well as touching on the roots of her motivation. Neringa is a true generator of ideas. Find out more about her below.

Read more: http://www.bloginity.com/2012/06/photographer-neringa-rekasiute-photo-shoots-challenging/


Willem de Kooning. Drawings with Eyes Closed. 1 of 24 untitled drawings. Charcoal on paper. 1966 10 x 8 inches (25.4 x 20.3 cm). Gift of Jan Christiaan Braun. © 2011 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

Willem de Kooning. Drawings with Eyes Closed. 1 of 24 untitled drawings. Charcoal on paper. 1966 10 x 8 inches (25.4 x 20.3 cm). Gift of Jan Christiaan Braun. © 2011 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York


Henry Darger. Untitled (Spangled Blengins). Watercolor and pencil on paper. Gift of the estate in honor of Klaus Biesenbach. © 2011 Kiyoko Lerner / Artists Rights Society (ARS), New York

Henry Darger. Untitled (Spangled Blengins). Watercolor and pencil on paper. Gift of the estate in honor of Klaus Biesenbach. © 2011 Kiyoko Lerner / Artists Rights Society (ARS), New York


Dziga Vertov. Chelovek s kinoapparatom (Man with a Movie Camera ). 1929. 35mm film.

Dziga Vertov. Chelovek s kinoapparatom (Man with a Movie Camera ). 1929. 35mm film.


Bruce Nauman. Raw War. 1970. Neon, glass tubing, wire, transformer, and sequencer, 6 1/2 x 17 1/8 x 2 1/2″ (16.5 x 43.5 x 6.4 cm). The Baltimore Museum of Art. Gift of Leo Castelli, New York. © 2012 Bruce Nauman / Artists Rights Society (ARS), New York.

Bruce Nauman. Raw War. 1970. Neon, glass tubing, wire, transformer, and sequencer, 6 1/2 x 17 1/8 x 2 1/2″ (16.5 x 43.5 x 6.4 cm). The Baltimore Museum of Art. Gift of Leo Castelli, New York. © 2012 Bruce Nauman / Artists Rights Society (ARS), New York.

These photographs, captured by Alan Chan, feature Emma from Richard’as Models Management, dressed by Patricia Lagmay in a range of street-style looks, from vintage pieces to Helmut Lang and Nike trainers. Also featured below is a behind a scenes video of the shoot, giving us a wonderful insight into the ethos and concept behind the editorial. In particular we love the close up shots, with the headphones and perfect urban styling. Make up and hair by Eman.
See more: http://www.bloginity.com/2012/05/alan-chan-bloginity/#ixzz1vwIit4wj

These photographs, captured by Alan Chan, feature Emma from Richard’as Models Management, dressed by Patricia Lagmay in a range of street-style looks, from vintage pieces to Helmut Lang and Nike trainers. Also featured below is a behind a scenes video of the shoot, giving us a wonderful insight into the ethos and concept behind the editorial. In particular we love the close up shots, with the headphones and perfect urban styling. Make up and hair by Eman.

Garry Winogrand, Untitled [Sailor on Street], 1950; At SFMOMA (San Francisco Museum of Modern Art)

Garry Winogrand, Untitled [Sailor on Street], 1950; At SFMOMA (San Francisco Museum of Modern Art)

Parra, Weirded Out, 2012; acrylic on white wall; Courtesy Parra and SFMOMA (San Francisco Museum of Modern Art).

Parra, Weirded Out, 2012; acrylic on white wall; Courtesy Parra and SFMOMA (San Francisco Museum of Modern Art).


Animation sequence from Frida, feature directed by Julie Taymor. 2002.

Animation sequence from Frida, feature directed by Julie Taymor. 2002.

Daido Moriyama. Entertainer on Stage, Shimizu. 1967.

Daido Moriyama. Entertainer on Stage, Shimizu. 1967.

Robert Heinecken. Recto/Verso #2. 1988. Silver dye bleach print.

Robert Heinecken. Recto/Verso #2. 1988. Silver dye bleach print.

Argila. 1969. West Germany. Directed by Werner Schroeter. Image courtesy of Munich Film Museum.

Argila. 1969. West Germany. Directed by Werner Schroeter. Image courtesy of Munich Film Museum.

Deux (Two).2002. France/Germany/Portugal. Directed by Werner Schroeter. Image courtesy of Le Petit Bureau.

Deux (Two).2002. France/Germany/Portugal. Directed by Werner Schroeter. Image courtesy of Le Petit Bureau.

Willow Springs. 1972-73. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Willow Springs. 1972-73. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Tag der Idioten. 1981. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Tag der Idioten. 1981. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Bloginity recently met young photographer Neringa Rekasiute, who explores art out of her studio in the cosmopolitan metropolis of London. She gives us some insight about her likes and preferences, including why she prefers film over to digital, who her favorite subjects to photograph are, as well as touching on the roots of her motivation. Neringa is a true generator of ideas. Find out more about her below. Read more: http://www.bloginity.com/2012/06/photographer-neringa-rekasiute-photo-shoots-challenging/

Bloginity recently met young photographer Neringa Rekasiute, who explores art out of her studio in the cosmopolitan metropolis of London. She gives us some insight about her likes and preferences, including why she prefers film over to digital, who her favorite subjects to photograph are, as well as touching on the roots of her motivation. Neringa is a true generator of ideas. Find out more about her below.

Read more: http://www.bloginity.com/2012/06/photographer-neringa-rekasiute-photo-shoots-challenging/


Willem de Kooning. Drawings with Eyes Closed. 1 of 24 untitled drawings. Charcoal on paper. 1966 10 x 8 inches (25.4 x 20.3 cm). Gift of Jan Christiaan Braun. © 2011 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

Willem de Kooning. Drawings with Eyes Closed. 1 of 24 untitled drawings. Charcoal on paper. 1966 10 x 8 inches (25.4 x 20.3 cm). Gift of Jan Christiaan Braun. © 2011 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York


Henry Darger. Untitled (Spangled Blengins). Watercolor and pencil on paper. Gift of the estate in honor of Klaus Biesenbach. © 2011 Kiyoko Lerner / Artists Rights Society (ARS), New York

Henry Darger. Untitled (Spangled Blengins). Watercolor and pencil on paper. Gift of the estate in honor of Klaus Biesenbach. © 2011 Kiyoko Lerner / Artists Rights Society (ARS), New York


Dziga Vertov. Chelovek s kinoapparatom (Man with a Movie Camera ). 1929. 35mm film.

Dziga Vertov. Chelovek s kinoapparatom (Man with a Movie Camera ). 1929. 35mm film.


Bruce Nauman. Raw War. 1970. Neon, glass tubing, wire, transformer, and sequencer, 6 1/2 x 17 1/8 x 2 1/2″ (16.5 x 43.5 x 6.4 cm). The Baltimore Museum of Art. Gift of Leo Castelli, New York. © 2012 Bruce Nauman / Artists Rights Society (ARS), New York.

Bruce Nauman. Raw War. 1970. Neon, glass tubing, wire, transformer, and sequencer, 6 1/2 x 17 1/8 x 2 1/2″ (16.5 x 43.5 x 6.4 cm). The Baltimore Museum of Art. Gift of Leo Castelli, New York. © 2012 Bruce Nauman / Artists Rights Society (ARS), New York.

These photographs, captured by Alan Chan, feature Emma from Richard’as Models Management, dressed by Patricia Lagmay in a range of street-style looks, from vintage pieces to Helmut Lang and Nike trainers. Also featured below is a behind a scenes video of the shoot, giving us a wonderful insight into the ethos and concept behind the editorial. In particular we love the close up shots, with the headphones and perfect urban styling. Make up and hair by Eman.
See more: http://www.bloginity.com/2012/05/alan-chan-bloginity/#ixzz1vwIit4wj

These photographs, captured by Alan Chan, feature Emma from Richard’as Models Management, dressed by Patricia Lagmay in a range of street-style looks, from vintage pieces to Helmut Lang and Nike trainers. Also featured below is a behind a scenes video of the shoot, giving us a wonderful insight into the ethos and concept behind the editorial. In particular we love the close up shots, with the headphones and perfect urban styling. Make up and hair by Eman.

Garry Winogrand, Untitled [Sailor on Street], 1950; At SFMOMA (San Francisco Museum of Modern Art)

Garry Winogrand, Untitled [Sailor on Street], 1950; At SFMOMA (San Francisco Museum of Modern Art)

Parra, Weirded Out, 2012; acrylic on white wall; Courtesy Parra and SFMOMA (San Francisco Museum of Modern Art).

Parra, Weirded Out, 2012; acrylic on white wall; Courtesy Parra and SFMOMA (San Francisco Museum of Modern Art).


Animation sequence from Frida, feature directed by Julie Taymor. 2002.

Animation sequence from Frida, feature directed by Julie Taymor. 2002.

Daido Moriyama. Entertainer on Stage, Shimizu. 1967.

Daido Moriyama. Entertainer on Stage, Shimizu. 1967.

Robert Heinecken. Recto/Verso #2. 1988. Silver dye bleach print.

Robert Heinecken. Recto/Verso #2. 1988. Silver dye bleach print.

Argila. 1969. West Germany. Directed by Werner Schroeter. Image courtesy of Munich Film Museum.

Argila. 1969. West Germany. Directed by Werner Schroeter. Image courtesy of Munich Film Museum.

Deux (Two).2002. France/Germany/Portugal. Directed by Werner Schroeter. Image courtesy of Le Petit Bureau.

Deux (Two).2002. France/Germany/Portugal. Directed by Werner Schroeter. Image courtesy of Le Petit Bureau.

Willow Springs. 1972-73. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Willow Springs. 1972-73. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Tag der Idioten. 1981. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

Tag der Idioten. 1981. West Germany. Directed by Werner Schroeter. Image courtesy of The Munich Film Museum.

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